shibui

​I have been playing with these ideas and tones, this extract is from Wikipedia:

Shibui (渋い) (adjective), shibumi (渋み) (noun), or shibusa (渋さ) (noun) are Japanese words which refer to a particular aesthetic of simple, subtle, and unobtrusive beauty.

The colors of shibusa are “muddy” colors. For example, in interior decorating and painting, gray is added to primary colors to create a silvery effect that ties the different colors together into a coordinated scheme. Depending upon how much gray is added, shibui colors range from pastels to dark. Occasionally, a patch of brighter color is added as a highlight.

The seven elements of shibusa are simplicity, implicity, modesty, silence, naturalness, everydayness, and imperfection. 

https://en.m.wikipedia.org/wiki/Shibui

without you can’t get in

It started with a search for something to paint over because I’ve run out of canvas.

I chose these 2 as they are rather boring and not too textured or lumpy

They are each 70 x 50cm on board

I laid down some first layers and decided to turn them sideways

I was thinking about people out on the street during these cold winter nights and started to make some loose marks with solvent and a palette knife. I have some new gold Winsor and Newton oil. Added some of that, mixed with wax, with a roller. The shapes are clumsy and awkward

The song from Paul Simon’s new album, called wristband, the third verse running through my head. The bit about riots and how not having a wristband to get you in the door becomes a metaphor for the excluded and disenfranchised. Thinking about the election of Trump. And Brexit.

http://www.songfacts.com/detail.php?id=40220

Add more colour. Roll over and obliterate most of the scraped marks. Make some new marks with a graphite stick

Thinking too about the desperate situation in Aleppo. And David Wolfe’s moving and horifying before and after photos on Facebook 

https://m.facebook.com/story.php?story_fbid=1290315790990889&id=100000374406030
It’s not about pretty pictures

What is it about? Painting? What do we do it for? Why? How? Is there any point?

Darker and deeper

More confusing

I don’t know. But I keep painting

(Header image is another stage on the journey, not the finished image – I signed it then changed my mind)

Liz Doyle available new large works

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120cm sq (4′)

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120cm sq (4′)

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80cm sq (32″)

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80cm sq (32″)

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80 x 100 (c. 32″x 40″)

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80 x 180cm (c.32″x 72″)
2 of 5 canvases from a group created in series

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80 x 180 ( c. 32″  72″)
2 of 5 canvases from a group created in series

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3 works on board each 60 x 80cm (24 x 32″) in 2 different groupings / orientations

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3 of 5 pieces of a group created in series

Medium
Oil and mixed media ( cold wax which is made of beeswax and siccatives), powder pigment, graphite

Works on stretched deep edged canvas and cradled board

liz-doyle@live.com
http://www.donegallizdoyle.com
00353 877662624 (mobile)
00353 749543781 (landline)

Will ship to USA from Ireland
Dublin
http://www.thedoorwaygallery.com
(20 works)
Edinburgh
http://www.velveteasel.co.uk
(8 works)

Ready to go

Hoping to get these 4 framed locally here in Wales. My fingers are firmly crossed that some or all of them will then be sent to Terre Verte gallery in Cornwall for  ‘ Into the West’, the summer group show I have been invited to participate in there

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‘Musing’ – 80cm sq

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‘Spirited’ 100cm x 80cm

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Skylight 1 – 50cm sq

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Skylight 2 – 50cm sq

2 weeks to go

I will need the whole of the last week for the works to dry, wrap and arrange couriers or post
So starting my last few pieces now. The attic studio is looking very blue!

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Filling up!

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2 new 50cm panels started with first layers of paint and some contrasting powder pigment

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Dawn this morning