planning

‘Evening walk, Cruit Island’

100 x 155cm

I’m thinking about what will hang where

Which paintings complement each other

Thinking that ‘less is more’ but also how many or how few


‘Donegal’ Pair (now framed), one is 80 x 100, second is 80cm sq

Should they go in the same room

What’s the lighting like


‘Ruined Gables, Night Painting’

98 x 150cm


And what about the Ceide Fields pieces? (100 x 80 and 80cm sq). And there’s another of these there already


And there should be some smaller ones too (‘Its Orange Outside’, pair, framed now, 50cm sq)

But of course its not up to me anyway!

On tenterhooks waiting for a studio visit from the curator

Solo show at Green Fuse Gallery, Westport, County Mayo. 29th April to 10th June

a light touch

I’m using a lot of light mixes for layering over some older works. Favouring ochres, yellows, pale blues laid over the deeper and bolder tones underneath. This is creating some depth and I’m adding further texture with light lines and scrapes using solvent followed by a palette knife





the doorway gallery, dublin

A small work on paper, glazed and framed


A warm, large, (80cm sq)autumn inspired piece on cradled birch panel


An even larger, (100 cm sq), framed piece on canvas, ‘Rock in the Sea’


Wintery, but warm, framed 80cm sq piece on canvas


A bold, framed, pink, red and blue abstract on board, ‘ Deeper yet and darker still’60cm sq


‘Skylight’, 90cm sq, framed oil on board

http://www.thedoorwaygallery.com/

2016 retrospective

Painted end of 2015

Sold early 2016 and paid for my trip to San Francisco and New York! 


Working on my ‘Rock in the sea’ paintings in February


Some huge pieces on unstretched jute in March



‘Tis calm indeed’ and ‘Moon rising’ from my Spring residency at Stiwdio Maelor in Corris, Wales 


The huge, rather surreal piece on unstretched jute ‘Clouds’ from May




The 5 piece orange and blue and black canvases – can’t remember their titles! June




The two big (120cm sq) pieces, ‘Stateside’ made in anticipation of my  big US trip in June



Small works on paper (these 2 are ‘Berkeley’ & ‘5th Avenue’) made on the go during my fantastic, life changing USA adventure in June and July



Some of the big bold pieces I made in July as soon as I got back from New York 




‘The path’ & ‘Convergence’

August works in the back kitchen in Wales




‘The dance’ & ‘Columba’ also from August in Wales



Works from my second residency in Stiwdio Maelor in Corris, Wales in September 




November




December!

Looking forward to 2017

shibui

​I have been playing with these ideas and tones, this extract is from Wikipedia:

Shibui (渋い) (adjective), shibumi (渋み) (noun), or shibusa (渋さ) (noun) are Japanese words which refer to a particular aesthetic of simple, subtle, and unobtrusive beauty.

The colors of shibusa are “muddy” colors. For example, in interior decorating and painting, gray is added to primary colors to create a silvery effect that ties the different colors together into a coordinated scheme. Depending upon how much gray is added, shibui colors range from pastels to dark. Occasionally, a patch of brighter color is added as a highlight.

The seven elements of shibusa are simplicity, implicity, modesty, silence, naturalness, everydayness, and imperfection. 

https://en.m.wikipedia.org/wiki/Shibui