Some paintings from June
These 2 are each 60cm square and have undergone a change of heart, or a facelift or a renaissance! Formerly they were darker and mostly orange and quite ‘loud’ with a title to reflect that mood : ‘Tolerate chaos’- the title taken from the 10 well known painting rules of the Bay artist, Richard Diebenkorn.
Now they are calmer and paler, with a new title, ‘Formerly chaos’, perhaps with a nod to us being in control of our moods along with our palette if we so choose!
These 2 are a bit bigger, at 80cm square. They have had a similar transformation using a pale palette of pale ochres, yellows and some very pale blue. Their former title was ‘Oceans, a tipping point’ – part of a series of 5 canvases. They haven’t got new individual names yet
Thus one is ‘Musing’, also 80cm square plus frame, painted 2 years ago on my furst residency at Stiwdio Maelor in Corris in Wales and then exhibited at a group show at Terre Verte Gallery in Cornwall. Home now from her adventures
These 2, ‘Sunshine 1&2’ have also just returned from Cornwall and are also each 80cm square plus frame
It started with a search for something to paint over because I’ve run out of canvas.
I chose these 2 as they are rather boring and not too textured or lumpy
They are each 70 x 50cm on board
I laid down some first layers and decided to turn them sideways
I was thinking about people out on the street during these cold winter nights and started to make some loose marks with solvent and a palette knife. I have some new gold Winsor and Newton oil. Added some of that, mixed with wax, with a roller. The shapes are clumsy and awkward
The song from Paul Simon’s new album, called wristband, the third verse running through my head. The bit about riots and how not having a wristband to get you in the door becomes a metaphor for the excluded and disenfranchised. Thinking about the election of Trump. And Brexit.
Add more colour. Roll over and obliterate most of the scraped marks. Make some new marks with a graphite stick
Thinking too about the desperate situation in Aleppo. And David Wolfe’s moving and horifying before and after photos on Facebook
It’s not about pretty pictures
What is it about? Painting? What do we do it for? Why? How? Is there any point?
Darker and deeper
I don’t know. But I keep painting
(Header image is another stage on the journey, not the finished image – I signed it then changed my mind)
I’m having some fun with process, using old unsuccessful painted canvasses to re-work, amend or completely paint over
These 2 canvases, each 80cm sq, were initially very different abstract paintings, but both had quite a lot of structure and quite large areas with earth and ochre colours. I have kept some of the initial areas but built up additional structures and much more detail
Here are the two separately:
And here is another, larger canvas. This one is 80 x 120cm and has much more tentative amendments – might not be quite finished yet
And I just mean in my studio!
I have been reworking some old canvases and completely repainting some too
These 2 above are each 80cm sq
Here they are with another one the same size and a 65cm one on the end
Here’s a bigger reworked piece
120cm plus it’s frame also painted over
Here’s a fuller view of my favourites (today anyway) – with a sort of invasion of pink
This one and the last one below are a bit odd, and maybe not totally successful. But they were an important challenge for me in terms of structure, form and process. Each 80 cm plus frame