aaargh acrylics!

Trying to get a painterly, layered, rich, unfussy, not too ‘overworked looking’ effect with acrylics. Using a gloss gel medium. Applying with a squeegee. Layering by transferring onto and from baking paper. Very frustrating. Looking forward to getting back to my oils and cold wax medium in my studio at home!

Some images from an A2 (60x40cm) cartridge pad, and an A4 (40x30cm) brown card sketchbook

Advertisements

faves of ’17

Here are some of my favourite moments and paintings from the last 12 months

And here’s to a peaceful, healthy and creative year ahead for us all. Namaste!

4 panels, untitled, each 70 x 50cm, in my studio, made in November


‘Yesterday was red’ aka ‘Pink’

55cm sq on canvas, made in November


‘Vessels’, made in October/November

Shipped rolled up in a tube to a customer in Pennsylvania just in time for Christmas


‘Split’ a diptych, each piece around 90×70-80cm. Currently being stretched and framed by the wonderful Seamus Quinn, at Artworks in Letterkenny, County Donegal


One of a group of paintings, displayed at the Show House, designed by Collette Ward Interiors, at the Ideal Home Show in Dublin this Autumn. This one was subsequently placed with a private collector


Celebrating our 40th wedding anniversary in August this year, though actually this photo was taken out our gorgeous niece Nancy’s wedding!


So thrilled with my fantastic solo show at GreenFuse Gallery, in Westport, County Mayo in May. Photo shows me and the gallerist Vincent O’Donoghue. The paintings behind us are ‘Blood and Concrete 1&2’ which were later also shown at The Model in Sligo, and one of them (the one behind Vincent) was selected by a private collector


‘Due West’, the signature piece of my solo show, of the same name, at Green Fuse Gallery. Its huge, about 150 x250cm

2016-12-30-14.40.05.jpg.jpeg

The making of ‘Ruined gables, night painting’ was a first for me! Painted in the middle of the night with very poor light in the studio, but I love it!


A view of the ruined ‘clachan’ (group of cottages close together) on Cruit which inspired the ‘Ruined gables, night painting’ above


My largest painting to date, ‘Tower’, about 1m x 3m, painted at the end of 2015 and sold to a private collector who lives on another, even tinier island off the North West coast of Donegal. Getting it delivered was quite a feat in itself

Looking forward to loads more adventures in creativity in 2018. Maybe bigger and bolder works! Looking forward to keeping in touch with you all and hearing your news and comments

Oh! And I had a new grandson in May too! Welcome to littleBryn Malachy Doyle!

two today

Two paintings today, both with underpainting in bright red and orange, but surface colours mostly blues

This one is my regular size, 80 cm sq

Title :’All manner of things I’ll never understand’

This is a big one, 160cm x 220 cm, unstretched canvas, stapled to the studio wall. ‘Is there anyone there?’

available from home

This is ‘Evening walk, Cruit Island’

A large signature piece, on canvas, framed

This is an even larger piece, ‘Due West’

Approximately 150 x250 cm it will make a dramatic statement

These 2 above are ‘Stateside 1’ and ‘Stateside 2’

Each 120cm square on canvas

If you want to see more images of my work, or find out more about these shown here, including prices, payment and delivery details, please email me on liz-doyle@live.com

Thanks

Liz Doyle

You can also find some of my work at these galleries:

http://www.thedoorwaygallery.com

http://www.velveteasel.co.uk

http://www.greenfuse.ie

(cover image shows a few on Cruit Island, the starting point for many if my larger psintings)

nearly winter

I have been away from home, visiting family and being a Granny in Wales, for two months, as well as a ten day break in Portugal

So I’ve been away from my studio and not painting

During the last couple of weeks I have begun to crave paint and canvas. So I bought a few materials from local shops and made these two small works on the floor in my daughter’s spare bedroom. In between visits, and in between layers, they’ve been drying in the shed.

My bedroom at my daughter’s home has sliding doors out onto the garden, with views into the trees beyond. And a view out of the side windows to a stand of Scotch Pines. From my bed I can see both dawn and dusk through these trees.

The paintings are not at all a representation of these photos of views. In fact they have more of an essence of a walk in the woods. I even embedded a fern leaf in the paint, removed it the next day to leave its impression, then rolled over it again with more layers.

However, some of the colours are there. A friend of mine said of these two latest pieces that they were a return for me of a ‘confident enigma’. I like that

Dawn:


Dusk: