‘Hard Rain’ (again!) & 6 small panels

I think finally I’ve finished this large piece, about 4’x7′

At the same time as working on the big piece stapled to my wooden studio wall, I’ve also been making some small studies on birch panel. These 6, each only 12×16″

The large piece and the small ones are interconnected, both by my process (lifting areas of wet paint in tissue paper, from one work to another, in a type of printing), and also in subject. Although all the works are totally abstract, and as such have no actual subject or representational form, they all come from the idea and challenge that we all face, of the potential destruction of our beautiful environment. The shapes and forms, particularly in the small pieces, for me have echoes of sea and sky, rock and sand, light on water

nearly winter

I have been away from home, visiting family and being a Granny in Wales, for two months, as well as a ten day break in Portugal

So I’ve been away from my studio and not painting

During the last couple of weeks I have begun to crave paint and canvas. So I bought a few materials from local shops and made these two small works on the floor in my daughter’s spare bedroom. In between visits, and in between layers, they’ve been drying in the shed.

My bedroom at my daughter’s home has sliding doors out onto the garden, with views into the trees beyond. And a view out of the side windows to a stand of Scotch Pines. From my bed I can see both dawn and dusk through these trees.

The paintings are not at all a representation of these photos of views. In fact they have more of an essence of a walk in the woods. I even embedded a fern leaf in the paint, removed it the next day to leave its impression, then rolled over it again with more layers.

However, some of the colours are there. A friend of mine said of these two latest pieces that they were a return for me of a ‘confident enigma’. I like that

Dawn:


Dusk:

Island Life

This enormous painting continues to challenge me

It is 150cm x 240cm on primed canvas currently stapled to the wooden wall of my studio

The main debate with myself is about the horizon line. I am gradually settling to a decision to keep the horizon visible only on the left. On the right the orientation of the landscape becomes ambiguous.

Today I added a pink layer over the darker tones on the top right section and also some ochre areas. And then applied solvent and made some deep marks with a palette knife to reveal the dark blue underneath

island life

It started like this, a huge piece of primed canvas (160 x 258cm, the end of the roll), stapled to the floor.

It took up so much of the floor that I had to stand on it to get round it



After a while working on it on the floor, I got Malachy to help me hang it sideways on the wall

And then I turned it round the right way

I taped off the edges, built up more layers and thought it was done.

But something was unbalanced

So finally I took the plunge


There she blows!

Here’s a closeup 


And here’s a photo montage


A good day!