On paper

Run out of canvases and only a week to go at Stiwdio Maelor – so I’m playing on paper

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‘Trajectory’ diptych (2 x Arches paper 76 x 56cm) still taped to the table

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Another one still in progress

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Series of smaller pieces worked together – 6 bits of sugary sweetness! Largest 2 are half sheets of Arches ie 56 x 38cm

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‘All things nice… raspberry ripple?’
2 half sheets Arches – each 56 x 38cm

gallery 1608 bushmills

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Smaller works on paper, available from Gallery 1608 in Bushmills, County Antrim, Northern Ireland
There’s also a great opportunity to win a beautiful 10″ ceramic bowl this month, with one raffle ticket for every £50 online or in store

http://www.gallery1608.co.uk/gallery/?aid=93

stripey

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this one might be done, 80cm sq

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this one just started, 80cm sq

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2 this morning in my studio

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the one with the red stripes now, yesterday still with blue stripes from underpainting

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the 2 prep pieces on paper, tape still on

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piece on paper,  finished

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finished piece on panel 60cm sq

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balcony shadow 2 weeks ago

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studio balcony shadow 2 weeks ago

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view through bedroom balcony railings 2 weeks ago

3 of the 6 day 2

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These 3 small works on watercolour paper c. 9 x 12″ are the more successful of the 6 I started yesterday.
This morning I rolled them first. Then scratched some fresh marks and printed over a new layer of paler blue using greaseproof paper. Then a scrape smooth again with a squeegee and a few marks with a knife to suggest the birds

balcony

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this is the view from my bed on the mezzanine

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here is the cat

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cropped closeup through the railings and last year’s Christmas tree lights

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same view with sunshine

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2 pieces of paper with paint and tape

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tape off

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60cm panel with tape and paint

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tape off

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a bit later

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one of the paper pieces finished

MORE TOMORROW!

magenta & gold

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2 postcard sized pieces on watercolour paper c.10 x 15cm

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& 3 pieces c. A4 sized (32 x25cm)
from a group of 11 works on paper in gold and magenta oil with cold wax medium just completed.
An experiment included in the process this time of painting a layer of crimson house paint ( matt emulsion) above the gesso priming layer and below the first layer of magenta oil and wax. I am pleased with the result that the scraped lines have a more solid red effect than if they scraped right through to the paper because the emulsion is so opaque and has such dense coverage