Monolithic, powerful, virile?
How were the standing stones viewed 5k years ago?
What was their symbolism?
I am intrigued by how the walls were built and if and how the stones were cut
I am fascinated by the field patterns of miles of parrallel walls still repeated today
Fanning out inwards from the coastal cliffs of Mayo
I am bowled over by the intricate plans and scale drawings, in red, made by the archeologists of Ceide Fields
More questions than answers, my personal response has to be with paint
More paint layers this morning, powder pigment, solvent, scraping, rolling;
not done yet though
Posted in cold wax, colour, Ireland, meditation, methods, multiples / panoramas, nature, painting, wooden panels
- Tagged abstract, archeology, art, Ceide Fields, cold wax medium, Liz Doyle, Mayo, neolithic, painting
I made 50 mince pies this morning
Maybe a transfer of eastern promise
The 4 most recent stones paintings are now turquoise
Posted in colour, Donegal, Ireland, meditation, methods, painting
- Tagged archeology, Ceide Feilds, cold wax medium, Ireland, Liz Doyle, neolithic, painting, stones
a bit more of the same but slightly different
the 2 big stones paintings (100cm x 80cm) are nearly done I think
and 2 more 80cm square ones started
this purple one has the beginnings of a wall in dawn or dusk colours
I wonder what a neolithic community woyld have made of a flame filled sky?
Posted in cold wax, colour, Ireland, meditation, multiples / panoramas, painting
- Tagged abstract, Ceide Fields, cold wax medium, Liz Doyle, neolithic, oil, painting, process
the stones are slowly revealing themselves through the mists of time and layers wax
today I have first made some transfers of field patterns onto the touch dry surface from last nights painting. The transfer prep is like alchemy to me, mix a paste of powder pigment and nail varnish remover (!) paint the mixture onto a sheet of tracing paper ( I dont have any, so used a thin transparent shiny paper) it dries really quickly. draw through from the back so that the marks made transfer onto the canvas.
I then rolled, transferred and squeegeed 3 or 4 different areas with 2 different greyish colours of paint and wax, then rolled and squeegeed smooth. Incidentally covering over much of the field pattern drawing in the process
With solvent revealed some more of the stone shapes that wanted to appear, blotted off with tissue. Roughly scraped and scored around and about the shapes at different angles and depths
Thinking about the community that lived in the Ceide Fields. How did they work the stones with no metal tools? They had fire to roast their cattle, what was their relationship with fire, with their animals? With the stones?
Posted in cold wax, colour, Ireland, methods, multiples / panoramas, painting
- Tagged Ceide Fields, cold wax medium, Liz Doyle, neolithic, painting, process, stones
small, textured works on paper or multi media board in oil and wax
sizes between 16 x 12cm and 25 x 16cm
all made in November at Ballinglen Arts Foundation, County Mayo
inspired by a trip to the neolithic field walls at Ceide Fields on the North Mayo Coast
I would love to mount these together and show in a small museum, library or somewhere interested in these 5 thousand year old artifacts from a community who lived and farmed in a time before the wheel and before the metal plough
If anyone is interested, from anywhere in the world, please contact me firstname.lastname@example.org
Posted in exhibitions, Ireland, multiples / panoramas, painting, submissions
- Tagged abstract, archeology, Ceide Fields, history, Ireland, Liz Doyle, Mayo, neolithic, painting, wild atlantic way
I am on a weeks workshop with artist Rebecca Crowell at Ballinglen Arts Foundation in Ballycastle County Mayo
My work this week is very influenced by a fantastic day trip we made out to Ceide Feilds
This is a huge extensive neolithic site, where a network of over 50 miles of buried stone boundary walls have been identified from a farming community living on this coastline over 5,000 years ago. The individual rocks from here and around another landmark, Benwee head, and the intriguing plan of the layout of the walls have found their way onto the surface of these paintings