Newly stretched and available through Green Fuse Gallery
Peripheries is a large bold piece, oil on linen, c. 90x250cm
So delighted to have another solo show at Green Fuse Gallery in Westport, County Mayo, which opened last night
Here are a few photos of some of the works
(and me peering through the window before heading back home on the bus to Donegal this morning)
The works available should be uploaded to the gallery website over the weekend
‘Evening walk, Cruit Island’
100 x 155cm
I’m thinking about what will hang where
Which paintings complement each other
Thinking that ‘less is more’ but also how many or how few
‘Donegal’ Pair (now framed), one is 80 x 100, second is 80cm sq
Should they go in the same room
What’s the lighting like
‘Ruined Gables, Night Painting’
98 x 150cm
And what about the Ceide Fields pieces? (100 x 80 and 80cm sq). And there’s another of these there already
And there should be some smaller ones too (‘Its Orange Outside’, pair, framed now, 50cm sq)
But of course its not up to me anyway!
On tenterhooks waiting for a studio visit from the curator
Solo show at Green Fuse Gallery, Westport, County Mayo. 29th April to 10th June
I have just finished these 3
On the ‘drying wall’ in my studio
The stark light patches are both disrupting and essential ingredients in my studio life! I have an ambiguous love affair with skylights
Landmark 1 / the path
120 x 80cm
Details from Landmark 1/ the path
Landmark 2 / shadows
60cm sq
Details from Landmark 2/ shadows
Landmark 3 / lightshaft
80cm sq
Details from Landmark 3 / lightshaft
Notes:
1.In November 2014 I visited Ceide Fields – a neolithic site in North Mayo where they have discovered 52 miles of stone boundary walls from a farming settlement over 5000 years old.
2. This year I am lucky enough to be heading to San Francisco and New York to visit some major art galleries exibiting the works of the American Abstract Expressionists and I am particularly looking forward to seeing some of Richard Diebenkorn’s paintings in ‘the flesh’
I have come to realise recently how much it helps me to know something about the history or interests of an artist in order to more fully appreciate their work. That’s not to undermine in any way the importance of the solely visual impact. And I definitely don’t like the verbiage and arts peak that goes into many ‘artists statements’. I’m searching for a middle ground and would welcome comments
http://www.angrianan.com/event/exhibition-liz-doyle/
my exhibition at An Grianan Theatre, Letterkenny, County Donegal, Ireland opens at 7 on 23rd September and runs till 21st November
Monolithic, powerful, virile?
How were the standing stones viewed 5k years ago?
What was their symbolism?
I am intrigued by how the walls were built and if and how the stones were cut
I am fascinated by the field patterns of miles of parrallel walls still repeated today
Fanning out inwards from the coastal cliffs of Mayo
I am bowled over by the intricate plans and scale drawings, in red, made by the archeologists of Ceide Fields
More questions than answers, my personal response has to be with paint
More paint layers this morning, powder pigment, solvent, scraping, rolling;
not done yet though
small, textured works on paper or multi media board in oil and wax
sizes between 16 x 12cm and 25 x 16cm
all made in November at Ballinglen Arts Foundation, County Mayo
inspired by a trip to the neolithic field walls at Ceide Fields on the North Mayo Coast
I would love to mount these together and show in a small museum, library or somewhere interested in these 5 thousand year old artifacts from a community who lived and farmed in a time before the wheel and before the metal plough
If anyone is interested, from anywhere in the world, please contact me liz-doyle@live.com
