nearly winter

I have been away from home, visiting family and being a Granny in Wales, for two months, as well as a ten day break in Portugal

So I’ve been away from my studio and not painting

During the last couple of weeks I have begun to crave paint and canvas. So I bought a few materials from local shops and made these two small works on the floor in my daughter’s spare bedroom. In between visits, and in between layers, they’ve been drying in the shed.

My bedroom at my daughter’s home has sliding doors out onto the garden, with views into the trees beyond. And a view out of the side windows to a stand of Scotch Pines. From my bed I can see both dawn and dusk through these trees.

The paintings are not at all a representation of these photos of views. In fact they have more of an essence of a walk in the woods. I even embedded a fern leaf in the paint, removed it the next day to leave its impression, then rolled over it again with more layers.

However, some of the colours are there. A friend of mine said of these two latest pieces that they were a return for me of a ‘confident enigma’. I like that

Dawn:


Dusk:

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can’t see the woods for trees

Richard Diebenkorn apparently aimed for ‘tension under the calm’
He also had a ‘rule’ on his wall that advised himself to ‘tolerate chaos’

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In progress. 120cm x 200cm

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‘Where am I going’ Oil and mixed media on jute – unstretched size 100cm x 160cm

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‘Can you hear the wind’ Diptych 80 x 200cm

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‘Winter trees’ 100cm sq

taping trees of hafod

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First time back in the studio after returning from Wales
Started 2 canvases each one metre square
Tape and paint and more tape and more paint
Will add dark tree silhouettes after Christmas
Wishing everyone a happy peaceful holiday

subliminal influence

Over the last couple of days I have been pondering the words of Henri Matisse
from a long hidden, recently discovered interview with him

http://designobserver.com/feature/henri-matisse-the-lost-interview/38738?fb_action_ids=1541907199394598&fb_action_types=og.likes

The quote that struck me most was ‘ The subject is myself and what I see. ‘

Unusually for me, when I was painting, I was thinking of this idea and I had just taken these photos of our alder trees that we planted 5 years ago in a wet area among the reeds

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So what was I painting and how did the thought and image of tbe trees impact the work?

Here are some images of the canvases at different stages over the last couple of days, as well as some closeup details

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