Old stick backs

These old chairs handed down

‘Old stick backs’

Monday morning, nearly Christmas
Sitting reading and drinking a first coffee by the stove
Just retrieved the hyacinths ‘forcing’, from the cupboard, in the yellow bowl
They always hold so much promise
At this, their etiolated stage
Like us, searching for the light
All the blue and yellow
Like a painting, perhaps I haven’t painted yet

💙💛

(Little painting above the door by Heidi Nguyen)

Shrines

Hindu shrine in Namobudda
Buddhist Stupa and prayer flags
Buddhist shrine Namobudda

These photos popped up in my Facebook ‘memories’ from my trip with daughter, Hannah to Kathmandu in 2013

They seem to be wiggling their way into my consciousness

Maybe they might seed them idea for new writing, or a painting maybe

I’m on the train from Belfast to Derry, after a few weeks over in Wales visiting family. Back in the studio tomorrow I hope

Perpendicular

These are ‘breastworks’ (uprights along the sea wall) and ‘groynes’ (at right angles )

This is a a new (first draft) poem:

‘Perpendicular ‘

For forty years the sea defences have protected

the front. At Borth and Ynyslas.

The old familiar way was shoring up

with strong timber upright breastworks

and jutting joists and great beamed groynes.

Bleached now by summer’s gold.

Old oak silvered and smoothed to salty sinews

Gravel and grit erosion pebble dashing

the frontages. Wrack draped and clasped

in rust. Scarred and scarified

by four decades force. Bearing up

against lifelong accretion. Pileup

of crashing drift and tide.

Perpendicular props. Familial forces

trying vainly to combine their strength

against dying under life’s attack.

Cold stone proposed along this ancient front

now sinking against an unquiet sea.

Forces of opposition with steely knives

and cranes and engineering.

Of a concrete will. Defying the tide like Canute.

Tempting Fate. Or perhaps too late

dark orchids

the next (final?) stage of the painted over panels

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they started like this, with a new bottom layer (over the previously painted panels) or rich alizarin crimson

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then powder pigment, mark making, blues and turquoises laid over with a squeegee

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then finally a few more layers of darker colours and a touch of gold

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2 details, one from each panel