Triptych on paper, each piece 56 x 76cm
Here are the 3 pieces individually:
120cm sq (4′)
120cm sq (4′)
80cm sq (32″)
80cm sq (32″)
80 x 100 (c. 32″x 40″)
80 x 180cm (c.32″x 72″)
2 of 5 canvases from a group created in series
80 x 180 ( c. 32″ 72″)
2 of 5 canvases from a group created in series
3 works on board each 60 x 80cm (24 x 32″) in 2 different groupings / orientations
3 of 5 pieces of a group created in series
Medium
Oil and mixed media ( cold wax which is made of beeswax and siccatives), powder pigment, graphite
Works on stretched deep edged canvas and cradled board
liz-doyle@live.com
http://www.donegallizdoyle.com
00353 877662624 (mobile)
00353 749543781 (landline)
Will ship to USA from Ireland
Dublin
http://www.thedoorwaygallery.com
(20 works)
Edinburgh
http://www.velveteasel.co.uk
(8 works)
I’m off to Portugal!
Dreaming of bluest skies and whitest sand
Remembering journeys of childhood and ‘Are we nearly there yet?’ & ‘Can I have an icecream’
Flying on friday, 80cm sq
Wings, 80cm sq
Are we nearly there yet, can I have an icecream? 2
80cm sq
Are we nearly there yet, can I have an icecream – 1
100 x 80cm
The title ‘stateside’ really has nothing to do with these 2 paintings. It’s just that I have an exciting trip planned to San Francisco and New York for the end of the month. The excitement is boosting my energy levels so I am painting rather furiously. Also, I have Richard Diebenkorn on my mind as I will be staying in Berkeley and will try to see as many of his paintings as I can
Untitled 1
120cm sq on canvas
Untitled 2
120cm sq on canvas
Drying in my studio
I have just finished these 3
On the ‘drying wall’ in my studio
The stark light patches are both disrupting and essential ingredients in my studio life! I have an ambiguous love affair with skylights
Landmark 1 / the path
120 x 80cm
Details from Landmark 1/ the path
Landmark 2 / shadows
60cm sq
Details from Landmark 2/ shadows
Landmark 3 / lightshaft
80cm sq
Details from Landmark 3 / lightshaft
Notes:
1.In November 2014 I visited Ceide Fields – a neolithic site in North Mayo where they have discovered 52 miles of stone boundary walls from a farming settlement over 5000 years old.
2. This year I am lucky enough to be heading to San Francisco and New York to visit some major art galleries exibiting the works of the American Abstract Expressionists and I am particularly looking forward to seeing some of Richard Diebenkorn’s paintings in ‘the flesh’
I have come to realise recently how much it helps me to know something about the history or interests of an artist in order to more fully appreciate their work. That’s not to undermine in any way the importance of the solely visual impact. And I definitely don’t like the verbiage and arts peak that goes into many ‘artists statements’. I’m searching for a middle ground and would welcome comments
Hoping to get these 4 framed locally here in Wales. My fingers are firmly crossed that some or all of them will then be sent to Terre Verte gallery in Cornwall for ‘ Into the West’, the summer group show I have been invited to participate in there
‘Musing’ – 80cm sq
‘Spirited’ 100cm x 80cm
Skylight 1 – 50cm sq
Skylight 2 – 50cm sq
These are the 4 stages of my most recent largish canvas
It is on coarse unstretched (and creased badly from being in my suitcase) jute canvas about 4′ x 3′
This was actually the second session, I forgot to take a photo of when it was all red and yellow, with a bit of turquoise, stapled to the floor on Saturday morning
Sunday, more sombre with shapes consolidating
Early Monday morning – loads of alizarin crimson overlaid on the lower half and a mess in the middle and a scatty unresolved indecisive upper third
Maybe we’re getting somewhere