Just reworked these 2 with a few more marks and a layer of creamy coloured transparent oil and wax mixture
They are each 80cm x 100cm and are part of the ‘Oceans – a tipping point?’ series from last week
I think they are much better for the extra later. What do you think?
Here they are as they were before:
Posted in canvas, cold wax, colour, Donegal, environment, hope, Ireland, multiples / panoramas, nature, painting, studio
- Tagged Abstract art, abstract expressionism, cold wax medium, Liz Doyle, oils
I am really enjoying working on a much larger scale on unstretched canvas stapled directly to my wooden studio painting wall.
The top one shown here, (Martello Tower), is at my maximum size possible, fitting snugly into the full depth of my studio extension and completely covering the wooden panel cladding that is fixed over the planks.( The photo shows the painting cropped of its blue surround, which allows for it to be stretched to an approximate final size of 150cm x 275 cm.) The unstretched canvas is 120cm x 290cm ( about 4′ x 9’6″)
Here is the primed unstretched canvas, followed by the first stage of underpainting:
The other two paintings are each 115 cm x 160cm ‘Out walking one evening in November, Cruit’ and ‘Once they danced at the crossroads – ruined gables, Cruit’
Posted in canvas, colour, Donegal, environment, Ireland, methods, multiples / panoramas, nature, painting, studio
- Tagged go large, large paintings, Liz Doyle, panorama, process
Oil and cold wax medium on canvas
4 of them are 80 x 100cm, the other 2, 80cm sq
The possible title for the series is “Oceans – a tipping point?”
Posted in 2016 election, artasprotest, canvas, cold wax, colour, environment, hope, methods, multiples / panoramas, nature, painting, studio
- Tagged Abstract art, abstract expressionism, climate change, global warming, Liz Doyle, Oceans, pollution
This large painting on unstretched canvas, stapled directly to the painting wall, is unusual for me. I’m not using cold wax medium, but instead oil with a liquid siccative added. This is a much wetter medium, so I am using brushes for a change instead of my usual squeegees, scrapers and rollers.
The painting was to a certain extent inspired by views like this, of Mount Errigal and the Aghlas, across the small strip of sea that separates Cruit Island from the mainland.
This painting is to me a natural step onwards from these three, on pre-stretched box canvas, made over the last few days
Posted in canvas, colour, Donegal, environment, Ireland, methods, multiples / panoramas, painting, photos, studio
- Tagged abstract expressionism, abstract tools, brush, experimenting, Liz Doyle, medium, oil, palette
There is a growing movement of artists, whatever their medium, refusing to be downcast by events on the current world stage
This is hope.
Keep 💙 painting
And be kind