subliminal influence

Over the last couple of days I have been pondering the words of Henri Matisse
from a long hidden, recently discovered interview with him

http://designobserver.com/feature/henri-matisse-the-lost-interview/38738?fb_action_ids=1541907199394598&fb_action_types=og.likes

The quote that struck me most was ‘ The subject is myself and what I see. ‘

Unusually for me, when I was painting, I was thinking of this idea and I had just taken these photos of our alder trees that we planted 5 years ago in a wet area among the reeds

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So what was I painting and how did the thought and image of tbe trees impact the work?

Here are some images of the canvases at different stages over the last couple of days, as well as some closeup details

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abstraction

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Why on earth would I attempt to paint landscapes when you can get photos like these?
Admittedly the saturation is high and the pixels are visible
This sort of thing is a rich source for abstraction, combined with the sharp hail on my nose and my wet feet from the incoming tide

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And Junos disappointment at the orange fishing float not being a ball (too hard too heavy) is just icing on the cake
Its February tomorrow, Spring will soon be here
Keep warm, be safe 🙂

start again

this was the repeat refrain on a 10 day meditation retreat I did a couple of years ago in Nepal
applies in all walks of life!

3 paintings in my studio this morning, stuck, frustrated, unresolved

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so ‘start again’!

2 new canvases, 80cm square
3 layers, wet on wet, of contrasting colours, oil and cold wax medium
then some different powder pigments
I’ll go back to them later today or tomorrow, when they are drier but still tacky, and work ovee with a roller
and then start again

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retrospective

coming accross a facebook profile pic taken about 12 years ago gave me the idea to do a bit of a nostalgic trawl
here is that pic:

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and here are some paintings from a few years ago ( not 12 years ago as I havent got photos of most of them, but starting from about 7 yrs back)

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And me again in spray painting mood!

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And last summer, the wrinkles are setting in, but who cares, life is good

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And now a granny in my corner!

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And when it started

Thanks everyone for following my journey

second session light fading

Couldn’t resist going back into the studio for a bit more tinkering with the 2 stones panels
But the light wasn’t really good enough
Having a battle between realising the clear shapes or having the shapes suggest themselves as they loom out of the murk
So they keep coming and going away again

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details :

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and the small panels for Portugal are yellow now

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mid winter pause for painting

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29th of December and another batch of family visitors head homewards. Husband and 2nd daughter, 2nd daughters puppy, Holly collie, and our 2 dogs head off to walk to the top of snowy Errigal, leaving me to grasp the moment in my studio

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a detail of texture

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and my shoes!

progress with paint and asking the obvious questions

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Monolithic, powerful, virile?
How were the standing stones viewed 5k years ago?
What was their symbolism?

I am intrigued by how the walls were built and if and how the stones were cut
I am fascinated by the field patterns of miles of parrallel walls still repeated today
Fanning out inwards from the coastal cliffs of Mayo

I am bowled over by the intricate plans and scale drawings, in red, made by the archeologists of Ceide Fields
More questions than answers, my personal response has to be with paint

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More paint layers this morning, powder pigment, solvent, scraping, rolling;
not done yet though

emerging

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Some more texture and colour layers on the two new panels
each 110cm x 80cm

Very wild and windy today, had to keep leaving the srudio because the stove was smoking

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Starting to bring out the shapes with small lines and dribbles and scratches revealed wirh orange peel solvent

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Detail close up shots, one from each panel