Author Archives: donegallizdoyle

available from home

This is ‘Evening walk, Cruit Island’

A large signature piece, on canvas, framed

This is an even larger piece, ‘Due West’

Approximately 150 x250 cm it will make a dramatic statement

These 2 above are ‘Stateside 1’ and ‘Stateside 2’

Each 120cm square on canvas

If you want to see more images of my work, or find out more about these shown here, including prices, payment and delivery details, please email me on liz-doyle@live.com

Thanks

Liz Doyle

You can also find some of my work at these galleries:

http://www.thedoorwaygallery.com

Home

http://www.greenfuse.ie

(cover image shows a few on Cruit Island, the starting point for many if my larger psintings)

nearly winter

I have been away from home, visiting family and being a Granny in Wales, for two months, as well as a ten day break in Portugal

So I’ve been away from my studio and not painting

During the last couple of weeks I have begun to crave paint and canvas. So I bought a few materials from local shops and made these two small works on the floor in my daughter’s spare bedroom. In between visits, and in between layers, they’ve been drying in the shed.

My bedroom at my daughter’s home has sliding doors out onto the garden, with views into the trees beyond. And a view out of the side windows to a stand of Scotch Pines. From my bed I can see both dawn and dusk through these trees.

The paintings are not at all a representation of these photos of views. In fact they have more of an essence of a walk in the woods. I even embedded a fern leaf in the paint, removed it the next day to leave its impression, then rolled over it again with more layers.

However, some of the colours are there. A friend of mine said of these two latest pieces that they were a return for me of a ‘confident enigma’. I like that

Dawn:


Dusk:

Strokes and structure

Here are 2 of my recent large works

The top one is ‘Evening walk, Cruit’

110 x 160cm

The bottom one is ‘Ruined gables, facing West’ , 120 x 160cm

They were both painted during the same short period of a few weeks, about 4 or 5 months ago, in Winter.

They were both inspired by, and had their starting point in an evening walk at sunset, with the Western light, on the tracks around our home on Cruit

They are both unusual for me as they were mostly painted using brushes. And also the paint mixture was more liquid and had a higher proportion of oil, so the surface us more glossy than usual

Both have some strong diagonal marks as central structures to the composition.

The top piece is more balanced, with a fairly traditional compositional structure, with the mountain and horizon quite central.

The lower piece has a distorted, unbalanced structure, with a weird sloping section to the horizon on the left, and strong diagonal marks ambiguously reaching down from the pyramidal forms into the foreground

The brush marks were applied very quickly in both works. And there are dribbles and splashes

The colours in the top piece are warm and strong, but mostly complimentary and /or harmonious. Whereas the colour in the lower piece are strong and sometimes clashing, even bilious.

For me the results are very different. The top painting is comfortable, even comforting. The lower piece is unsettling, maybe anxious making.

I have never analyzed my work like this before. I almost never write any sort of artist statement. I would be very interested to hear what other people might think. About these paintings. Or about me writing about my own work. No holds barred! Please be honest. A diogue would be great. Thanks

Blood and concrete

These are ‘Blood and Concrete ‘ 1 & 2

Each piece 100 x 80cm on canvas plus frame.

They were exhibited last month at Green Fuse Gallery in Westport, County Mayo.

I have submitted them to ‘Cairde Visual’ at the Model, in Sligo for their annual juried Summer show as part of Cairde Festival. I should hear soon if they have been selected. Fingers crossed!

These pieces developed out of my response to images of destruction in Aleppo, Syria. However, I don’t see them as sad paintings, but abstract images in their own right. It’s up to the viewer to make their own interpretation. I would be interested to hear from anyone if they have a particular reaction. Thanks